Rice is the staple food of millions in South East Asia. People in South India and North East grow rice as the main crop. It is eaten with fish. It is the rice, that ushered green revolution in India and brought India back from the jaws of starvation. Punjab became the leader in growing the rice, a crop which was alien to North india as most people liked wheat. It is another matter that Punjab has to pay a untold price for feeding the Indian population.
Story of IR8 Rice
A few days back, it was 50 years ago, the rice variety nicknamed IR8 was launched and it saved millions in Asia and particularly in India from starvation and acted as a launchpad for Green Revolution in India.
It was almost a famine like situation in this area. The available production of edibles was insufficient to cope with the requirement. Traditional varieties of rice took 160 to 180 days for the crop cycle and yields were low.
In the year 1962, the Institute made a cross variety using Peta, a Indonesian tall, pest resistant and vigorous variety with a dwarf Chinese variety called dee-geo-woo-gen (DGWG) in the laboratory.
During field tests in Taiwan, Malaysia, Hong Kong and Taiwan using the variety named IR8-288-3 showed great promise and yields it gave were almost 9 times the existing from 1 ton per hectare to 9 ton per hectare.
In Andhra Pradesh, a farmer called Nekkanti Subba Rao, experimented and sowed this rice in 2000 acres in Atchanta in West godavari. He earned the nickname of “Mr.IR8”.
The variety was commercially introduced in 1967 in the Vietnam during the American war.
The variety became popular worldwide and earned local nicknames worldwide. For example in Burma it is called Magyaw, Padi Ria in Malaysia ,Peta Baru 8 in Indonesia, Milagaru Philipino in Mexico . It was grown in Pakistan, India, Taiwan, China, and even in US.
In an interesting tale, a farmer K.N.Ganesan of Tamil Nadu named one of his sons “Irretu” meaning IR8 in Tamil.
Similarly in Vietnam the rice came to known as Honda rice as its bumper harvest enabled one farmer to purchase an Honda motorcycle.
Lui Liu is a painter of Chinese origin and lives in Canada. He mostly paints nudes. His paintings seems to like dreams. Some critics call his paintings magic realism. But he says that magic realism is a genre of writing invented by South American writer most notably Gabriel García Márquez whose novel “Hundred years of solitude” is written in this genre. Lui Liu says that magic realism in strict terms is a way of telling surreal stories in which even dead people converse with living but these do not contain any political message.
Lui Liu seems to be a person often in a daze, for he cannot recite his home address and is likely to give a wrong phone number. However, when he talks about things like psychology and ongoing world issues, he is totally another person, with abundant ideas and clear analysis.
It’s hard to believe this man knows about the outside world so well when he spends almost every day at home painting and has few social activities. He doesn’t even have a mobile phone.
He said casual chats with a few close friends and surfing on Sina Weibo provide him with enough information to keep up with the latest happenings around the world. Amazing thought-provoking painting “Beijing 2008” by Chinese-Canadian artist Liu Yi.
He made the following painting called Beijing 2008. Although it first seems that painting has something to do with games but it is entirely a painting with political meaning. Although every spectator of the art interprets the painting according to his or her belief
No two interpretations can be the same.
Many interpretations have been given like the one given below:
There are 4 women playing the Chines Mahjong. The woman with the tattoos on her back is China. On the left, focused intensely on the game, is Japan. The one with the shirt and head cocked to the side is America. Lying provocatively on the floor is Russia. And the little girl standing to the side is Taiwan.
China’s visible set of tiles “East Wind” has a dual meaning. First, it signifies China’s revival as a world power. Second, it signifies the military might and weaponry that China possesses has already been placed on the table. On one hand, China appears to be in a good position, but we cannot see the rest of her hand. Additionally, she is also handling some hidden tiles below the table.
America looks confident, but is glancing at Taiwan, trying to read something off of Taiwan’s expression, and at the same time seems to be hinting something at Taiwan.
Russia appears to be disinterested in the game, but this is far from the truth. One foot hooks coyly at America, while her hand passes a hidden tile to China, both countries can be said to be exchanging benefits in secret. Japan is all seriousness while staring at her own set of tiles, and is oblivious to the actions of the others in her self-focused state.
Taiwan wears a traditional red slip, symbolizing that she is the true heir of Chinese culture and civilization. In one hand she has a bowl of fruit, and in the other, a paring knife. Her expression as she stares at China is full of anger, sadness, and hatred, but to no avail; unless she enters the game, no matter who ends up as the victor, she is doomed to a fate of serving fruit.
Outside the riverbank is darkened by storm clouds, suggesting the high tension between the two nations is dangerously explosive. The painting hanging on the wall is also very meaningful; Mao’s face, but with Chiang Kai Shek’s bald head, and Sun Yat-Sen’s mustache.
The four women’s state of undress represent the situation in each country. China is naked on top, clothed with a skirt and underwear on the bottom. America wears a bra and a light jacket, but is naked on the bottom. Russia has only her underwear left. Japan has nothing left.
At first glance, America appears to be most composed and seems to be the best position, as all the others are in various states of nakedness. However, while America may look radiant, her vulnerability has already been exposed. China and Russia may look naked, yet their key private parts remain hidden.
If the stakes of this game is that the loser strips off a piece of clothing, then if China loses, she will be in the same state as Russia (similar to when the USSR dissolved). If America loses, she also ends up in the same state as Russia. If Russia loses, she loses all. Japan has already lost everything.
Russia seems to be a mere “filler” player, but in fact is exchanging tiles with China. The real “filler” player is Japan, for Japan has nothing more to lose, and if she loses just once more she is immediately out of the game.
America may look like she is in the best position, but in fact is in a lot of danger, if she loses this round, she will give up her position as a world power. Russia is the most sinister, playing along with both sides, much like when China was de-occupied, she leaned towards the USSR and then towards America; as she did not have the ability to survive on her own, she had to weave between both sides in order to survive and develop.
There are too many of China’s tiles that we cannot see. Perhaps suggesting that China has several hidden aces? Additionally China is also exchanging tiles with Russia, while America can only guess from Taiwan’s expression of what actions have transpired between Russia and China. Japan on the other hand is completely oblivious, still focused solely on her own set of tiles.
Taiwan stares coldly at the game from aside. She sees everything that the players at the table are doing, she understands everything that is going on. But she doesn’t have the means or permission to join the game, she isn’t even given the right to speak. Even if she has a dearth of complaints, she cannot voice it to anyone, all she can do is to be a good page girl, and bring fresh fruit to the victor.
The final victor lies between China and America, this much is apparent. But look closely; while America is capable, they are playing Chinese Mahjong, not Western Poker. Playing by the rules of China, how much chance at victory does America really have?